Repointed stone farmhouse lit at dusk, with gravel terrace and potted olive trees
Stone wall with brick dovecote lattice and carved mask above a water feature
Reception room with chestnut beams, terracotta floor and deep red walls
Red-walled sitting room with stone fireplace and leather sofas below old beams
Reception room with exposed stone wall, yellow plaster and hexagonal terracotta floor
Sitting room with blue velvet sofa and armchairs under whitewashed beams
Reception room with tall plastered fireplace hood and tan leather sofa
Inlaid antique chest against a red wall below a long landscape painting
Exposed stone chimney breast between two small windows above a timber sideboard
Green dining room with oval table, moulded chairs and a painted antique cupboard
Old chestnut beams and terracotta pianelle ceiling with black surface spotlights
Kitchen seen through a plastered arch, with grey island and drying baskets overhead
Kitchen island in grey with marble top under beams hung with drying herbs
Open-plan basement kitchen with marble worktops, grey units and hexagonal cotto floor
Bespoke steel staircase with vertical bar balustrade beside the kitchen
Larder through an arch, shelved with preserves and hung with chillies and garlic
Folded steel stair rising against an exposed rubble stone wall under beams
Steel treads and slim vertical balusters with old red shop scales alongside
Courtyard at dusk with festoon lights, timber table and demijohns on a stone bench
Gravel courtyard between stone buildings, lit by festoon lights at dusk
Terrace along the stone facade with wicker seating and olive trees beyond
Garden terrace held by a dry-stone wall, with rocking chair and planted beds
Rendered upper wing with a slim steel canopy over the door and stone base
Library lined floor to ceiling with white shelving and a sliding ladder under beams
Books arranged by colour on white shelving beside an exposed stone wall
Bedroom with striped headboard, lime plaster walls and terracotta floor under beams
Freestanding oval bath at the window with a walk-in shower and pianella ceiling
Bathroom in grey resin with a marble-lined shower recess and wall-hung basin
Twin countertop basins on a dark timber vanity with two round mirrors and shutters
Bathroom with a repurposed farm door and hand-painted patterned floor tiles
The farmhouse on its terrace among olive groves and wooded hills

– Project: Residential

The Foxes

The brief was to transform this derelict 17th century farm house, into a carbon zero, contemporary countryside home.


Transforming it from a relic into family home involved stripping the building back to its core structure. We excavated the existing basement by one meter to create a new livable space including the kitchen, dining areas and utility rooms. All the existing windows and doors were refurbished, double glazed and reused. New windows were introduced to utilise light, where previously had not existed before. In the past, windows were intentionally small since rooms had to be insulated, we preserved that character, even with the additions.

The result is a spacious living area where the family can move easily from one space to another. On the new ground floor, we replaced a wooden ladder with a contemporary bespoke metalwork staircase, creating both a feature and more light. We maintained the original stone staircase and incorporated a library bookcase within the landing space on the second floor – functional and beautiful.
 
Each room has a different colour to define the use and the lighting, by Delta Light, highlights key pieces of furniture or artwork. We hand-picked each piece of furniture to create a unique, but cosy living space, mixing contemporary and antique styles.
 
The ground floor, which is partially subterranean, was originally divided into smaller storage rooms. This once dark and cramped canteen is now occupied by an open plan that functions as a kitchen, dining area, with a larder, laundry and a bathroom to the rear. The original living quarters on the first floor contain three reception rooms, while the second floor includes two bedrooms, two bathrooms, dressing room and the library.
 
Part of the existing facade was refurbished in the 1950s with brick and concrete introduced to the external walls. How-ever we chose to revert them back to the original facades and retrofit stone blocks where necessary. We repointed the walls and added water features and structures for climbing plants.
 
To fulfill the ecological element of the brief, we used sustainable technologies including a heat pump, underfloor heating and cooling, and natural insulation. The owners are able to harvest rain water and use it for their vegetable garden. The introduction of solar paneling means the house is now almost energy neutral and that the house functions using clean electric energy only.

We have only used local materials, and reused and utilised furniture and equipment found on site. All materials on site were sourced locally, with local artisan builders and craftspeople carrying out all the work. The external works and landscaping follow the natural inclination of the site, without having a mass movement of earth. 

The focus during construction was on creating as little waste as possible – all excavated materials were reused over the duration of the project, either within the build or as part of the landscaping – no material was removed from site. Despite the obvious contrast of contemporary interiors, we grounded each room to the Tuscan terroir with rustic de-tailing and rescued materials. Salvaged wood, doors, stone details, appear throughout the property, from the beamed ceilings to the timber-accented archways, and old farm doors were repurposed as bathroom doors and for the external spaces.
 
For the bathrooms, the finishes included resin together with local marble and local hand painted tiles to give each bathroom a specific mood. The showers and bathtubs face the garden to mimic the liberating experience of being at one in nature.
 
The house is fully immersed within an olive grove containing over five hundred trees. The immediate landscape surrounding the house has been divided into different spaces, beginning with the dining area and wood oven – in a “village style square”. Various pathways lead to a quite shaded reading area, the herb garden and eventually you arrive at the vegetable garden all of which is surrounded by an abundance of fruit and nut trees.

The idea was to give the project a sense of timelessness, by proposing only a few simple tones and materials. We wanted to draw attention to the beautiful vegetation and trees surrounding the building, and to push the owners into cultivating their own food and enjoying the nature around them.
 

Concept

Line axonometric drawing of the farmhouse with solar panels set into the roof
Section drawing through the house showing the excavated basement and staircases
The farmhouse before work, part rendered and part bare stone above a dry-stone wall
Overgrown courtyard between the derelict farm buildings before restoration
Gable end with failing render and garden clutter before the works began
Old canteen with open fireplace, worn plaster and a formica table
Basement with rough stone walls and a wooden ladder serving the floor above
Cluttered store with barrels, old scales and farm tools before clearance
Yard piled with rubbish against the stone walls before the works
Reception room before work with terrazzo floor, pale blue walls and whitewashed beams
Empty room with red painted floor, stacked chairs and an abandoned chest
Attic room before work with whitewashed rafters, small windows and worn brick floor
Old kitchen with open hearth and stacked belongings before the strip-out
Attic bedroom before work with an old bed under whitewashed rafters

Facts + Figures

Appointed

2015

Completion

2017

Area

285

Location

Lucca, Tuscany

Photography

Carlo Carossio

Press

Client feedback

“We asked Pardini Hall for something almost contradictory: a seventeenth-century farmhouse brought back from ruin, and a home with near-zero energy needs. They delivered both without sacrificing either — the chestnut beams and stone facades still do their quiet work, while everything that heats, cools and powers the house belongs to this century.”

— Private Clients, owners of the house, The Foxes, Tuscany