Visualisation of a perforated house-shaped pavilion standing in the fairy tale garden
Collage of the house-shaped entrance pavilion with costumed fairy tale characters
Collage of an exhibition room with a pitched timber structure and Andersen portrait
Collage of a house-shaped reading room lined with bookshelves and a drawing table
Collage of a darkened sensory room with screens, reflecting water and visitor figures
Collage of the museum garden with willow, planting and visitors in period costume
Collage of an exhibition space with a curved planted wall, water and sculptural ceiling
Collage of a curved exhibition interior with hedges, artworks and costumed figures
Visualisation of a house-shaped hall with a hanging installation above silhouetted visitors
Concept image of an open book with a drawn house and landscape rising from its pages
Aerial site visualisation of the museum and glazed roof among the preserved town houses

– Project: Design Proposal

The House of Fairytales

A MUSEUM FOR THE LIFE AND WORK OF HANS CHRISTIAN ANDERSEN

Once upon a time, there was a house, the house in the fairytale garden …

With this design, we used the form of a simple house, much like one a young reader might draw, and allowed it to journey through this historical site, stopping at points of special significance, leading the visitor through this fairy tale world.

The shape of the house is replicated within the structural frame of the main building.  At moments it is (magically) stretched, moving the visitor to the heart of the site.
As the visitor arrives at the historical centre of the site, the pitched roof flattens and forms a sympathetic glazed roof, encapsulating the Memorial Hall.  It also provides a link from the birthplace of Hans Christian Andersen with the preserved town houses.

The ‘house of fairy tales’ is a motif that appears at building entry points and signals points of interest in the landscaped areas, for example, a reinstated apothecary garden, the fairy tale sculpture garden and a secret sunken garden.

Upon entering the museum, the visitor is greeted by a double height reception space, which renders even the tallest of adults to the size of a child. Here and throughout the museum, the visitor will find patterned carved screens, inspired by Anderson’s paper cut-outs.
 
Each tells a different story, through sculpted characters and engraved texts, leading the visitor deeper into the life, work and world of Hans Christian Andersen, passing through sensory experience rooms before discovering the secret garden and beyond.
 
Competition board with the site plan, section and exhibition collages for the museum